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Tell us about the project you guys are doing and how it came about?
In high school we lost four close friends to an avalanche, and over the years we’ve lost more and seen many young people perish. We’ve always wanted to try and do our part and make an avalanche education film that kids will actually be stoked on. The Canadian Avalanche Foundation, having similar goals of youth education, realized that an energetic film is a great way to engage students and inform them about avalanche safety. Their belief in us really opened doors and companies like North Face, Red Bull, Black Diamond, and others have followed suit and have made this thing possible.
You guys have been out in the field a whole bunch this year. Any great stories of pow days or amazing things you've seen?
Well, we’ve definitely filmed a bunch of sick pow riding and gnar in BC and Alaska this year, but one of the more exciting things to watch was the avalanche control work done by various operations. Western Canada had a pretty sketchy snowpack this year and with teams like that of the Lake Louise resort in Alberta, we got to chuck a few shots around and fire a couple guns to try and film some avalanches. One crisp January morning, in pinging pink light, we blasted a size 3 avalanche to ground and captured it on 16mm. The power of such a slide is truly savage to behold.
How and why did you end up working alongside Tanner Hall's "The Massive" project?
Working earlier this winter with Red Bull and their Canadian athletes Sean Pettit, Mikey Rencz and Will Gadd led us to cross paths with CP and Tanner’s project, “The Massive”. After a few phone calls and plan to collaborate in Alaska, we all met up in Haines to throw down. Together we captured some unreal riding by Tanner and Dana Flahr, but we also got a chance to delve into the behind the scenes avalanche safety protocols that go into filmmaking in such big terrain. We’re in business to film gnarly lines and we’re showing that there is a lot more that goes into it than what you see in the ski movies.
When does the movie come out? Any future plans?
The primary film piece is set to premier in October 2008, look for the full DVD package with the four training films to release after that. Future plans? Well, definitely a severe whack of editing and animating interspersed periodically by some climbing and patio drinking. After that comes the film tour in the fall. Our goal is to spread avalanche awareness as well as general interest in going to the backcountry to as many people as possible. So once the production is wrapped up we need to make sure this thing circulates, educates and gets as many people psyched as possible.
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Clocking in with eight inches of new, Sugarloaf, Maine was representing the East Coast. Utards were dumbfounded with 20 inches in Little Cottonwood Canyon the night before the 1st, and Timberline at Mt. Hood, Oregon checked in with an accumulated 20 inches on Thursday.
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With Tanner Hall down with an injured ankle, Dana Flahr was left to carry the torch for the AK segment in “The Massive”. Under the given conditions, most of the other film crews in town were flying all over the range outside Haines looking for good snow up high. Unfortunately, up high is where the wind hit the hardest: a little gem of knowledge our seasoned guide and snowboard legend Tom Burt was keen enough to factor in. We began working the lower elevations where all the puzzle pieces had to fit together perfect to make for a good run: proper aspect not getting heat from the sun, good light, and wind protected.
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Tanner hopped back in the ship and we took off into sparse clouds. Looking for a break where the sun was hitting a skiable face—aptly termed “window shopping” in AK—we found a nice spine between two bowls for Tanner to test the snow and his ankle. The heavy rains down in town dumped about a foot of fresh up high and Tanner dropped into some nice turns. The clouds were a bit too thick for filming, but Tanner managed to bag a pretty nice run. We moved on to some features that were a bit lower, but the temperature was such that 1000 feet lower the snow was heavy junk. Tanner moved through the second run in obvious pain. Basically he was fine in super light, fresh pow, but the heavier snow was really putting strain on his ankle.
Injury and uncooperative conditions are always looming outside factors in ski-movie making. The decision was made to continue to trip with Dana Flahr, but just as things were looking good, with a little new snow, the wind moved in. A bit of wind on the heavy coastal snow of AK is sometimes good to suck moisture out and velvet out the powder, but when the wind rips and scours the snow off the peaks it can quickly change a good situation bad.
Our guide Tom Burt got to work meticulously assessing the stability, and the diagnosis was sketchy. We actually picked up off the top of a run due to unstable conditions, and while that’s never something you like to do while heliskiing, everyone was fine with Tom’s educated decision. That day other groups out in the field set off at least two slides resulting in one complete burial (safely dug out) and one blown knee. Under sunny skies our new reality was severely diminished options and a snowpack that needed time to settle and bond. We retired back to town a bit deflated, but knowing that a couple days in Alaska can change thing dramatically. Hope is not yet lost.
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*Video courtesy of Riley Poor/Empire Productions
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